This disc caused Blue Heron and Scott Metcalfe to be named the 2018 Winners of the Gramophone Classical Music Award for Early Music, becoming the first non-Europeans to win in the category in the 41-year history of the award. The CD comes in an attractive 4-panel wallet-style format, with a CD sleeve. There is no plastic CD tray, which makes for a greener (and more lightweight) package. It contains the world premiere recording of a Mass by an anonymous English composer from the first half of the 16th century. Since the source of the cantus firmus has not been identified, the Mass remains without a name ("sine nomine"). The disc also includes an antiphon addressed to St. Augustine of Canterbury which is the only surviving work of Hugh Sturmy, a short and dramatic Ave Maria mater dei by Robert Hunt, whose Stabat mater is a highlight of vol. 3 of the series, and the sonorous and captivating Ve nobis miseris by John Mason, for men's voices in five parts. This recording is part of a 5-CD project which began in 2010.
The package includes a booklet with notes by Music Director Scott Metcalfe, including an extensive discussion of performance practice of music from the period.
Includes unlimited streaming of Music from the Peterhouse Partbooks, Vol. 5 (Anonymous: Missa sine nomine) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Includes unlimited streaming of Anonymous: Missa sine nomine (Music from the Peterhouse Partbooks, vol. 5)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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$20USDor more
lyrics
Ve nobis miseris, quia cum ad peccata commissa inspicimus et supplicia intelligimus que pro his pati debemus, non parvum timorem habemus.
Quid ergo? Remanebimus quasi desperati? sine consilio? sine adjutorio?
Non! Sed ad te, fontem pietatis et misericordie, Jesu Christe, currimus et festinamus, in quo jam tot et tantos peccatores absolutos vidimus et agnoscimus.
Obsecramus te igitur, domine deus noster, da nobis gratiam tuam, ut a vitiis et a morte anime resurgentes in virtutibus semper floreamus et in soliditate fidei ambulemus, ut que sursum sunt queramus et sapiamus, non que super terram.
Tibi gratias agimus, bone Jesu, pro inceptis in nobis gratie tue donis, que deprecamur ut misericorditer perficias nosque in viam salutis dirigas.
Per tue claritatis virtutem purga animas nostras a tenebris peccatorum, et per eandem virtutem in die universalis resurrectionis caro nostra resurgat ad gloriam, ut in futura resurrectione delicatam tuam invocationem gaudenter cum electis tuis audiamus te dicente, “Venite benedicti patris mei, percipite regnum quod vobis paratum est ab origine mundi.” Amen.
Woe to us wretches, for when we consider the sins that we have committed and understand the torments that we are doomed to suffer for them, we have no small fear.
What then? Shall we remain as if without hope? without counsel? without help?
No! On the contrary, we run and hasten to thee, O Jesus Christ, fount of love and mercy in which we have already seen and recognized so many and great sinners absolved.
We therefore pray thee, O Lord our God, grant us thy grace, so that rising from sins and death of the soul we may always abound in virtues and walk in firmness of faith, so that we may seek and be aware of the things that are above, not those on earth.
We give thee thanks, O good Jesus, for the gifts of thy grace begun in us, which we beg that thou wilt mercifully complete and guide us in the way of salvation.
Through the strength of thy brightness make our souls clean of the darkness of sins, and through the same strength let our flesh arise to glory on the dayt of the universal resurrection, so that in the resurrection to come we with thy chosen people may joyfully hear thy delectable invitation as thou sayest, “Come, ye blessed of my father, take possession of the kingdom that was prepared for you from the beginning of the world.” Amen.
Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue
Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations....more
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