The two discs come in a single 4-panel wallet-style format. There are no plastic CD trays, which makes for a greener (and more lightweight) package. The discs contain a world premiere recording of “I madrigali a cinque voci”, by Cipriano de Rore, including all 20 madrigals in the sequence found in the 1542 print, as well as readings of the poems in Italian by Alessandro Quarta. The booklet includes extensive notes by Musicologist Jessie Ann Owens (Distinguished Professor Emeritus, University of California, Davis), one of the world's leading experts on the composer, about De Rore and this book of madrigals, her research about the poets, and the evidence supporting her conclusion that the publication is a “song cycle”; notes by Scott Metcalfe about performance practice (including rhetorical delivery of text); and complete texts and translations.
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lyrics
Quand’io son tutto volto in quella parte,
Ove ’l bel viso di madonna luce,
Et m’è rimasa nel pensier la luce,
Che m’arde e strugge dentro a parte a parte,
I’, che temo del cor che mi si parte,
Et veggio presso il fin de la mia luce,
Vomene in guisa d’orbo senza luce,
Che non sa ove si vada, et pur si parte.
Così davanti a i colpi de la morte
Fugo, ma non si ratto, che ’l desio
Meco non venga, come venir sole.
Tacito vo, che le parole morte
Farian pianger la gente: et i’ desio
Che le lagrime mie si spargan sole.
Petrarca, Canzoniere 18
When I am all turned toward that place
where my lady’s fair face shines,
and in my thoughts remains the light
that burns and melts me within, bit by bit,
I, since I fear for my heart, which is breaking,
and see at hand the end of my life,
take my leave like a blind man without sight,
who does not know where he goes, and yet departs.
And so before the blows of death
I flee, but not so quickly that desire
does not come with me, as it is used to.
Silent, I go; for my words of death
would make people weep, and I desire
that my tears be shed in solitude.
Translation by Scott Metcalfe. Cf. translations by Robert Durling and Mark Musa
Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue
Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations....more
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supported by 4 fans who also own “Reading: Quand'io son tutto volto in quella parte”
This is an interesting free jazz way of interpreting Bartok and his field recordings. The musicianship is excellent, as one would expect given who is playing. sumbuk