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Ibo michi ad montem mirre

from Christmas in Medieval England by Blue Heron

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  • Compact Disc (CD) + Digital Album

    This disc comes in an attractive 4-panel wallet-style format, with a CD sleeve. There is no plastic tray, which makes for a greener (and more lightweight) package. The CD allows listeners to share the beauty, excitement, intensity and variety found in a Blue Heron concert performance. It includes plainchant, carols, and other music for Advent and Christmas from 15th-century England. It is comprised entirely of tracks recorded live at First Church in Cambridge, Congregational in December 2013.

    The package includes a booklet with notes by Music Director Scott Metcalfe.

    Including unlimited streaming of Christmas in Medieval England via the free bandcamp app, plus high-quality download in MP3, FLAC and more.

    Includes unlimited streaming of Christmas in Medieval England via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $20 USD or more 

     

lyrics

Ibo michi ad montem mirre et ad colles libani, et loquar sponse mee: Tota speciosa es et macula non est in te. Veni de Libano; venies et transibimus ad montem Seir et Hermon, a cubilibus leonum et a montibus leopardorum. Alleluya.

Translation:
I will go into the mountain of myrrh and to the hills of Lebanon, and say to my bride: You are all beautiful, and there is no flaw in you. Come from Lebanon; you will come and we will cross to Mount Senir and Mount Hermon, from the dens of lions and the mountains of leopards. Alleluya.

Antiphon for the Nativity of the Blessed Virgin Mary; Song of Songs 4:6-8

credits

from Christmas in Medieval England, released October 9, 2015
Leonel Power (d. 1445)
Singers
Gerrod Pagenkopf, Jason McStoots, Mark Sprinkle

license

all rights reserved

tags

about

Blue Heron Boston, Massachusetts

Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations. ... more

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