The two discs come in a single 4-panel wallet-style format. There are no plastic CD trays, which makes for a greener (and more lightweight) package. The discs contain a world premiere recording of “I madrigali a cinque voci”, by Cipriano de Rore, including all 20 madrigals in the sequence found in the 1542 print, as well as readings of the poems in Italian by Alessandro Quarta. The booklet includes extensive notes by Musicologist Jessie Ann Owens (Distinguished Professor Emeritus, University of California, Davis), one of the world's leading experts on the composer, about De Rore and this book of madrigals, her research about the poets, and the evidence supporting her conclusion that the publication is a “song cycle”; notes by Scott Metcalfe about performance practice (including rhetorical delivery of text); and complete texts and translations.
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lyrics
Chi vol veder quantunque pò natura
E ’l ciel tra noi, venga a mirar costei,
Ch’è sola un sol, non pur a gli occhi miei,
Ma ’l mondo cieco, che vertù non cura.
Et venga tosto, perché morte fura
Prima i migliori, et lascia star i rei.
Questa aspettata al regno de gli dei,
Cosa bella mortal passa et non dura.
Vedrà, s’arriva a tempo, ogni virtute,
Ogni bellezza, ogni real costume
Giunti in un corpo con mirabil tempre.
Allhor dirà che mie rime son mute,
L’ingegno offeso dal soverchio lume.
Ma se più tarda, havrà da pianger sempre.
Petrarch, Canzoniere 248
Whoever wishes to see all that Nature
and Heaven can do among us, let him come gaze on her,
for she alone is a sun, and not merely for my eyes
but for the blind world, which does not care for virtue;
and let him come soon, for death steals
the best first, and leaves behind the wicked.
Awaited in the kingdom of the gods,
this beautiful mortal thing passes and does not endure.
He will see, if he arrives in time, every virtue,
every beauty, every regal manner
joined in one body, marvelously tempered.
Then he will say that my rhymes are mute,
my wit overcome by excessive light.
But if he waits too long he shall have to weep forever.
Translation by Scott Metcalfe. Cf. translations by Robert Durling and Mark Musa
Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue
Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations....more
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supported by 4 fans who also own “Chi vol veder quantunque pò natura”
This is an interesting free jazz way of interpreting Bartok and his field recordings. The musicianship is excellent, as one would expect given who is playing. sumbuk