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  • Compact Disc (CD) + Digital Album

    The two discs come in a single 4-panel wallet-style format. There are no plastic CD trays, which makes for a greener (and more lightweight) package. The discs contain a world premiere recording of “I madrigali a cinque voci”, by Cipriano de Rore, including all 20 madrigals in the sequence found in the 1542 print, as well as readings of the poems in Italian by Alessandro Quarta. The booklet includes extensive notes by Musicologist Jessie Ann Owens (Distinguished Professor Emeritus, University of California, Davis), one of the world's leading experts on the composer, about De Rore and this book of madrigals, her research about the poets, and the evidence supporting her conclusion that the publication is a “song cycle”; notes by Scott Metcalfe about performance practice (including rhetorical delivery of text); and complete texts and translations.

    Includes unlimited streaming of Cipriano de Rore: I madrigali a cinque voci via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $29.99 USD or more 

     

lyrics

Ben si conviene a voi
Così bel nome, alma mia rosa, poi
Che con quella beltà che ’l mondo honora
Vincete i più bei fiori,
E i più soavi odori
D’odor vincete anchora.
Dhe, se ’l ciel ve s’aggiri adhora adhora,
Più ch’ad altra giamai cortese e pio,
Non sprezzate orgogliosa il servir mio.

anonymous

Well does such a lovely name
suit you, my life-giving Rose, since
with that beauty that the world honors
you surpass the most beautiful flowers,
and with your fragrance
you surpass the sweetest fragrance as well.
Ah, though the heavens now circle around you,
more courteous and pious than towards any other,
do not haughtily despise my service.

Translation by Scott Metcalfe

credits

from Cipriano de Rore: I madrigali a cinque voci, released October 4, 2019

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Blue Heron Boston, Massachusetts

Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations. ... more

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