The two discs come in a single 4-panel wallet-style format. There are no plastic CD trays, which makes for a greener (and more lightweight) package. The discs contain a world premiere recording of “I madrigali a cinque voci”, by Cipriano de Rore, including all 20 madrigals in the sequence found in the 1542 print, as well as readings of the poems in Italian by Alessandro Quarta. The booklet includes extensive notes by Musicologist Jessie Ann Owens (Distinguished Professor Emeritus, University of California, Davis), one of the world's leading experts on the composer, about De Rore and this book of madrigals, her research about the poets, and the evidence supporting her conclusion that the publication is a “song cycle”; notes by Scott Metcalfe about performance practice (including rhetorical delivery of text); and complete texts and translations.
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lyrics
Far potess’io vendetta di colei
Che guardando et parlando mi distrugge,
Et per più doglia poi s’asconde et fugge,
Celando gli occhi a me sì dolci et rei.
Così gli afflitti et stanchi pensier mei
A poco a poco consumando sugge,
E ’n sul cor quasi fero leon rugge
La notte all’ hor quand’io posar dovrei.
L’alma, cui morte del suo albergo caccia,
Da me si parte, et di tal nodo sciolta
Vassene pur a lei che la minaccia.
Meravigliomi ben s’alcuna volta,
Mentre le parla, et piange, et poi l’abbraccia,
Non rompe ’l sonno suo, s’ella l’ascolta.
Petrarch, Canzoniere 256
Could I but take vengeance on her
who gazing and speaking destroys me
and then, for more pain, absconds and flees,
hiding from me her eyes so sweet and cruel!
Thus she saps my afflicted and tired thoughts,
consuming them little by little,
and above my heart like a fierce lion roars
at night, when I should be at rest.
My soul, which Death chases from its dwelling,
leaves me, and loosed from that knot
goes off straight to her who menaces it.
I marvel indeed if at some time,
while it speaks to her, and weeps, and then embraces her,
it does not break her sleep, if she is listening.
Translation by Scott Metcalfe. Cf. translations by Robert Durling and Mark Musa
Winner of the 2018 Gramophone Classical Music Award for Early Music (the first non-European group to win the award), Blue
Heron (Scott Metcalfe, dir.) has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for the “expressive intensity” of its interpretations....more
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supported by 4 fans who also own “Reading: Far potess’io vendetta di colei”
This is an interesting free jazz way of interpreting Bartok and his field recordings. The musicianship is excellent, as one would expect given who is playing. sumbuk